Category Archives: Reviews

Review: City-Building in an Age of Hyper-Diversity

Lorinc, J. and Pitter, J. (Eds.). (2016). Subdivided: City-Building in an Age of Hyper-Diversity. Toronto: Coach House Books. ISBN: 9781552453322.

Subdivided: City-Building in an Age of Hyper-Diversity (2016) is a collection of essays taken from a varied source of contributors writing about their experiences of diversity living in Toronto edited by Jay Pitter and John Lorinc. The book attempts to unpack the municipal and national mantra of “diversity is our strength” by exposing the reader to a myriad of unique experiences and world views and complicate the narrative of Toronto as the most multicultural city in the world. As Pitter writes, the reality of hyper-diversity demands a recognition of “diversities within diversities within diversities” and of the intersectionalities of the identities associated which make up that diversity.

Subdivided: City-Building in an Age of Hyper-Diversity (Lorinc and Pitter, 2016)

Neither of the editors belong to the discipline or the profession of urban planner or have been involved in municipal governance, they are better described as city-builders: writers and activists that have invested personally and professionally in advancing progressive action in Toronto. Pitter has worked (and grew up in housing) with the Toronto Community Housing Corporation and both have written for publications such as Spacing and Walrus, among others. The rest of the contributors make up a diverse group of writers, urban planners, journalists, and lawyers among others.

With a narrative form and personal stories, Subdivided is aimed at a broad audience. While the inclusion of more theoretical and ideological language might distance some readers, the personal tone of the contributions anchors their stories in a very real and relatable way.

Although the stories shared in the book are very different, what they and the editors share is a desire to critique the current conception of diversity in Toronto and to explore the socioeconomic realities of the divisions separating those diverse groups. An interesting thread that the book picks is the universality of the impact upon these disparate groups relating to the changing economic realities of Toronto as housing prices skyrocket and government programs have been curtailed or abandoned completely. While reaching few conclusions, this exploration of the meaning of diversity in a changing economic and social context does accomplish its intended purpose – to start conversations. Exposing the reader to experiences of the “diverse” living at the margins of the popular and institutionally supported conception of Toronto’s diversity as a fait accompli (an attitude the transnationally wealthy in Toronto like to pat themselves on the back for), this anthology raises the question of what that attitude really means for those living that diversity without the power to challenge the accepted rhetoric.

Kieran Moran (University of Alberta)

Review- The Digital City and Mediated Urban Ecologies

Scott, Kristin. (2016). The Digital City and Mediated Urban Ecologies. Cham: Palgrave Macmillan. ISBN: 9783319391731.


The Digital City and Mediated Urban Ecologies (Scott, 2016)

Kristin Scott’s The Digital City and Mediated Urban Ecologies explores the era of digitalized cities. This book made noteworthy claims concerning city’s relationship with technology in terms of social, economic, and political utopianism. Other themes explored in the book are neo-liberalism, security and surveillance, and political participation and democracy. Scott further investigates three American cities (New York City, San Antonio, and Seattle) in order to fully conceptualize her overall themes of utopianism, neo-liberalism, and security. Specifically, throughout the book, Scott initially describes how the surge of digital technology in cities is justified by the cities’ goal of digital utopia. However, as Scott reveals through investigation of the three American cities, many issues the cities attempt to solve through technological amenities are further complicated or serve other larger systemic intentions. For example, in the chapter discussing Seattle, Scott explains how the city has introduced numerous digital technological programs to address racial and class disparities; however, Scott reveals that with citizen’s access to technology such as public crime maps, social and economic disparities are further exacerbated. I thought this claim was an interesting perspective on the functionality of technology since my previous understanding of mass-digitalization in cities was to promote inclusion. However, as Scott demonstrates, there appears to be negative effects to the collection of data within cities.

Furthermore, Scott describes how the digitalization of cities can conceal the city’s overarching ability to construct productive citizens. As explained in the chapter concerning New York City, some cities will aim to improve democracy, transparency, and citizen’s engagement. However, Scott concludes that through New York City’s attempts to improve governance, digital technological programs are misused and represent a mechanism of biopower to fulfill neo-liberal interests. By using Michel Foucault’s concept of biopower, Scott explains how digital technological programs interpellate citizens to behave in a favourable sense. This concept is further supported in Scott’s chapter about San Antonio where she discusses how citizens can be interpellated to assist in the protection of democracy through cyber security. Essentially, San Antonio has initiated programs where citizens self-police one another in order to maintain security of the internet or other digital technological programs.

Despite the fact that I previously had limited knowledge of the digital technological programs present New York City, Seattle, and San Antonio, I found this book to be unexpectedly captivating. Therefore, I would argue that the appropriate audience for this book would those who are interested in globalization, technology, and how these topics interact and effect neo-liberalism, security, citizenship, and democracy. Also, this book incorporated theoretical concepts suggested by compelling philosopher such as Michel Foucault and Richard Grusin. For example, Scott explains the functionality of digital technology in terms of Foucault’s concepts of biopower and surveillance, while also using Grusin’s concept of mediality and premediation to discuss how technology is a governing apparatus of citizens, especially in regards to security.

Essentially, Scott intended to analyze the functionality of digital technology in regard to cities. Scott explained that cities utilize digital technology in order to interpellate their citizens to act in favour to the city’s larger goals, that is, their neo-liberal goals. For example, if the city releases a mobile application where citizens can report crime, this transfer responsibility, to some extent, from police services onto to citizens. Rather than police having to patrol the city or the city having to finance emergency dispatchers, the mobile application would be the communicative median between citizens and the police. Therefore, the city will save money while also instilling the responsibility of reporting crime or emergencies in the citizens. This means that through the production of digital technologies, citizens are taught to survey their environments for the protection of their city and follow citizens. I think this theme reveals the extension that technology unknowing coerces citizens into performing the will of the city, which in this example, would be to have citizens survey one another in order to protect the city. I found this concept to be convincing, and the example Scott explained in regards to New York City and San Antonio were further interesting.

Mimi Ward (University of Alberta)

Review: Urban Spaces and Cultural Imaginations in Contemporary Chinese Literature and Films of Beijing

Zheng, Yiran. (2016). Writing Beijing: Urban Spaces and Cultural Imaginations in Contemporary Chinese Literature and Films. Lanham MD: Lexington Books.

In recent years, the dialectic relationship between tradition and globalization has become even more visible in the urban spaces of Beijing. In the majority of news reports highlighting economic and cultural attractiveness of Beijing, we may find seemingly disconnected expressions, such as ‘greatness of imperial history’ and ‘rising center of global economy.’ This implies that there is a significant temporal gap taking place, and thereby, and points to the drastic urban transformation of the nation. Yiran Zheng’s recent book, Writing Beijing: Urban Spaces and Cultural Imaginations in Contemporary Chinese Literature and Films (2016), also acknowledges this presentation of Beijing. The conceptualization of Beijing as “the fusion of “traditional” Chinese city and a modern international metropolis” is one of the central themes that is constantly brought up in the book.

Writing Beijing (Zheng, 2016)

By this point, it is also important to note where all those urban spaces are located in the spatial structure of Beijing. According to the author, the area showing a concentration of typical Beijing buildings or courtyard houses is geographically located near the center of the city. Then, the next layer of architecture that loops outside the center is dominated by three to four story military compounds constructed under the guidance of Soviet experts. Thereafter, in the outer layer loop, there is new architecture and urban spaces that were built in the global era. Based on the three types of urban spaces identified above, the book largely consists of three parts: the first part focusing on military compounds (chapter 1,2,3), the second part concentrating on the typical building or courtyard house (chapter 4,5,6), and the third part exploring some examples of Beijing’s new architecture and urban spaces (chapter 7,8,9).

However, when considering the geographical map of Beijing and the structure of the chapters in the book together, Zheng does not fully explain why she organizes the three parts in such an order; namely, starting from military compounds to typical traditional Beijing housing, and ending with contemporary buildings. In the introduction, Zheng notes, “Beijing has been transformed from a traditional imperial capital city to a political center of communist China, then into a cosmopolitan metropolis (p. x).” The structure of the book does not seem to illuminate this transitional and changing character or flow of the city, but captures the configurations of the city in specific moments framed within the specific literary works. In that sense, to meet the author’s aim of this book, it is more persuasive to organize the parts and chapters in a geo-temporal order, moving from the central area of traditional housing to the outer area of contemporary buildings developed in present day China.

Each part of this book has three sections (chapters). In every first section, Zheng explores the architectural and spatial qualities of specific urban spaces. Then, Zheng discusses some representative writers and filmmakers in every second section, and finally in the third section, the author analyzes the configuration of the city in the literary works. Throughout the parts and chapters, Zheng uses different sources from different disciplines, such as urban studies, architecture, literature, cultural studies, history studies, and sociology. And Zheng also makes a balanced use of sources between foreign and Chinese authors. Zheng’s cross-disciplinary and cross-national use of sources is what makes this book interdisciplinary and allows it to retain a more balanced point of view.

In this study, the methodological framework is inspired by Lefebvre’s theorization of space. Lefebvre (1991), in his book The Production of Space (1991), proposed the spatial triad to understand the production of space and its embedded power relations. The triad divides space as: spatial practice (producing physical space), representations of space (conceived space), and representational space (lived space). According to Lefebvre, our spatial experience in space consists of these three interrelated elements (Lefebvre, 1991). Zheng specifically points to two of the spaces in this triad, representations of space and representational space, to formulate her methodology.

Within this framework, she emphasizes the intermediary role of artists (writers and filmmakers) between these two spaces. To be more specific, writers are influenced by urban spaces and architectures that are the “representations of space”, reflecting the ideology and expectations of designers. At the same time, writers and filmmakers respond to and reflect on those “representations of spaces” through their use of symbols, signs, and images in their literary productions. Thus, they create literary and filmic texts that refer to the space lived in by artists, “representational spaces”. However, except for brief explanations about the framework in the introduction and conclusion, the author actually does not conduct an extensive engagement with spatial theory, which she bases her work upon. It would have been more helpful if Zheng had continued to connect her discussion to her framework while discussing different type of urban spaces. By doing so, it would have been more apparent how the dialectic relationship between the three moments shown in Lefebvre’s spatial triad can be manifested and applied in this study as well.

Most interestingly, as noted in the beginning of the book, the concept of the coexistence of local and global in Beijing is an important issue for Zheng. This is clearly addressed when the author says that “the “ideal building” should be both modern and Chinese.” (p. 99). Zheng’s personal voice and position towards the relationship between the local and global in cityscape becomes especially prominent in Chapter 7, where Zheng discusses modern and postmodern architecture in the global era. These include the “three new symbolic architecture” in Beijing—National Centre for the Performing Arts (the Giant Egg), National Stadium (the Bird’s Nest), and CCTV New Main Building (the Gate).

In Chapter 7, Zheng is concerned about Beijing becoming “a common metropolis with no distinct cultures” (p. 91). According to Lefebvre, the urban spaces of Beijing produced within the context of global capital are Abstract Spaces, which are homogeneous and transparent, showing the orders and power hierarchies of capitalism (Lefebvre, 1991, pp. 50-51). The Abstract Spaces of these new contemporary buildings of Beijing are shown in their symbolic architecture marked with the dominant activities of the cities (Castells, 2005). The three new buildings mentioned above are examples of the symbolic architecture that Zheng criticizes for its disconnection from the surrounding local context and environment. In that sense, Zheng also demonstrates that these designs are not “Chinese” because they were built by “non-Chinese” designers, which I thought was a bit difficult to understand (p. 102). Although this may be partially true, the concern should not lie in the nationality of designers, but with the strategies used in incorporating this symbolic architecture within the local city at large.

The book is, in general, interdisciplinary in its approach and provides a broad socio-cultural and political context on urban issues of Beijing. In addition, the book is approachable because it does not use discipline-specific academic jargons and is written in an illustrative and descriptive manner. It is clear that Zheng wishes this book to be read by broad range of students and scholars who are interested in the city of Beijing. Zheng also achieves this by consistently and systematically reiterating the important points throughout the introduction, the beginning and at the end of each chapter, and the conclusion; the structure of the writing is easy to comprehend. Finally, the book is very narrative and poetic in that it smoothly introduces us to the artists’ world of imagination. Thus this book creates another “representational space” that is lived by its readers, who have or have not been to Beijing, and encourages them to engage with the mode of imagination of the urban spaces of Beijing.

Jeongwon Gim (University of Alberta)


Additional References

Lefebvre, H. (1991). The Production of Space. Oxford, Basil Blackwell.

Castells, M. (2005). Space of Flows, Space of Places: Materials for a Theory of Urbanism in the Information Age. In B. Sanyal (Ed.), Comparative Planning Cultures (pp. 45–63). New York: Routledge.

DuBois: The Scholar Denied – a review in 2 parts

Morris, Aldon. 2015. The Scholar Denied: W. E. B. Du Bois and the Birth of Modern Sociology. University of California Press.  ISBN: 9780520960480

Aldon Morris’ book The Scholar Denied: W.E.B. Du Bois and the birth of Modern Sociology demonstrates how Du Bois 1890s empirical and statistical research on black communities and classes in the United States was suppressed by a version of sociology developed by Robert Park and others of the Chicago School. Du Bois was the first black PhD graduate of Harvard University and went on to study history at Humboldt University, Berlin (1892-4) and followed the lectures of Max Weber and Gustav von Schmoller. He some of the conducted the first empirical and statistical social studies, notably his pioneering urban sociology, The Philadelphia Negro (1899). As Chair of the Department of Sociology (1897-1910) and organizer of the Atlanta University Conference for the Study of the Negro Problems, he edited annual volumes from 1902.  Du Bois hypothesized that sociological and economic factors were the main causes of racial inequality in the United States, anchored in white racial oppression not black inferiority. Du Bois argued that social analysis would reveal the truth of race dynamics and education of talented blacks would allow them to succeed and to articulate this truth across many fields as leaders in business, the media and politics. Du Bois’ sociology was a weapon of liberation.

Continue reading DuBois: The Scholar Denied – a review in 2 parts

Reading Laruelle 1 – a review in 3 parts

Alexander Galloway, Laruelle: Against the Digital.  Minneapolis: University of Minnesota Press 2014.  ISBN 9780816692132

1. Against the digital as differentiation

I first read this book in one sitting of 7 hours but have divided this review as I wanted to extend my discussion of Galloway’s treatment of Deleuze.  This will appear as Part 2 of this review.  Alexander Galloway’s book Laruelle: Against the Digital presents 14 theses across 10 chapters that move from the inaccessible monolithic material oneness of the Real to a critical assessment of ‘analysis’ that is the hallmark of philosophy.  Philosophical elements, such as analysis, are presented under the label of the ‘Standard Approach’. Galloway argues that François Laruelle (From Decision to Heresy, Experiments in Non-Standard Thought. New York: Sequence. 2012) offers a realist or ‘Non-Standard Approach’ that foregrounds imminence and the a priori commonality of all being and thought as a general category of the undifferentiated, indifferent, or generic.  Being and thought go together and imply each other inseparably (cf. Heidegger).  Galloway insists he is not offering a book about Laruelle, but he closely follows the lines of his philosophical position.  The generic is the ‘analog’ that Galloway pits against the tradition of differentiation and division that underpins the digital 0-1 binary system.  Standard Approach philosophy is thus digital.  Lucretius, Spinoza, Deleuze, Althusser are important references for Galloway in Part Two of his book where he considers the politics and aesthetics of cybernetic control society, the aesthetics of darkness and light, and an ethics of the generic.

As mentioned, the most interesting aspects of the book for me are found in Galloway’s discussion of Deleuze’s Society of Control (see Part 2 of this review). However before he arrives at his discussion of Digital Capitalism, Galloway’s text moves through several labyrinthine chapters on analytical division, Laruelle’s critique of hermeneutics, dialectics and multiplicity, and the hierarchical temporal logic of the event.

“Laruelle is charting an exodus out of representation more generally. Thus, the true withdrawal from digital quality will lead to imminence, not analogy. The ultimate withdrawal from digital will lead to the generic” (89).

The Standard Model of philosophy is premised on the division of the One into two as an event and a decision.  It is both ontological and metaphysical.  The NonStandard Model does not permit either a hermeneutics that separates surface and depth, a structuralism that separates appearance and structure, not even a division of the digital and analog, nor critique based on some sort of external subject position that assesses an ignoble problem object.

Galloway takes the zero – one logic of today’s digital world as a logic of distinction, decision, difference, and division. He does not discuss other possible readings or understandings of this zero as a non-negative that cannot simply be contrasted against a one, meaning a particular or an entity. For example, contemporary mathematics often understands zero as exactly Laruelle’s undifferentiated whole that is an inclusive infinity or plenum that includes All.  My thought is that oneness is an eerie anticipation of quantum computing’s ‘all-at-once’ computation of a field of possibilities (an analogue space without time produced in only a single computational cycle).  It also points toward the possibility of a future social theory encounter with social diversity as an analogue phenomenon, variation rather than difference.  This entails an examination of the Janus – faced quality of the zero in the 01 binary logic,  This is one of the exciting opportunities that Galloway gestures toward (Chapter 4 and 5 of the book) but does not provide. However, it seems that Laruelle, and Galloway following him, argues for a focus on a meta-stasis of pure immanence that prevents any rational representation and analysis of being, except as the grand illusion of a divided world of subjects and objects.

…Part 2 follows.

Rob Shields (University of Alberta)

Review: Cities and Symbols

Nas, Peter J. M. (Ed.). (2011). Cities Full of Symbols: A Theory of Urban Space and Culture. Leiden, Netherlands: Leiden University Press. 303 pp. $52.50, ISBN 9789089641250.

Cities Full of Symbols is an edited collection that approaches the urban environment from the perspective of urban symbolic ecology. Set within the general field of urban studies, this perspec- tive is defined as “a major tendency” and new area of urban cultural anthropology, pursuing the study of “the cultural dimension of the city” by way of “establishing the distribution and the meanings of symbols and rituals in relation to cultivated surrounds.” The introduction traces the theoretical framework in correlation with a systematization of the symbolic aspects of the city into four categories of symbol bearers: material, discursive, iconic, and behavioral. The main body consists of 12 chapters, each following up selected aspects within a specific case study. The conclusion steers discussion toward a “codification of urban symbolism research,” putting forth the symbolic as a possible way toward “social cohesion.”

With its anthropological outlook, this book presents a stimulating contribution to the ongoing discourse on the urban—one of the most exciting aspects in the study of culture, where notions such as space and place, image, and identity, are subject to theorization by thinkers from diverse fields and lineages (social theory, urban studies, social and symbolic geography, philosophy, architecture). This current perspective posits “the city as a symbolic site” and confirms its symbolic structure as important part of its identity by way of examining its components within urban contexts that are highly heterogeneous in problematic and sociocultural formulation. Hence the reader will find studies on the efforts for national representation in postcolonial developing cities in Southeast Asia, such as Colombo or Jakarta, on the symbolism of urban components in estab- lished world cities such as New York, Buenos Aires, The Hague, as well as on the image con- struction and/or marketing of various towns also involving digital media techniques.

As stated in its self-definition, the theoretical scope of urban symbolic ecology is derived from several approaches. It is rooted in human ecology, furthering the description and analysis of the arrangement of social phenomena over urban space toward the aim of identifying types of symbolic patterns. It also employs Kevin Lynch’s (1960) method of combining “mental mapping” with interviews so as to understand how urban dwellers perceive and organize the urban landscape, and extends on the concepts of “identity” and “structure” by emphasizing the meaning aspects of urban elements. Furthermore, as part of a series of studies on urban symbolism, it focuses on semiotics and the processes of signification in the urban setting, including those of media as a means to constitute a virtual “hyper reality” layer of meaning.

The proposed categorization of symbol carriers bears potential in addressing the possible symbolic aspects of a city comprehensively. In this, the category “material carriers”—the “traditional terrain of urban symbolic ecology”—comprises monuments and other urban objects, as well as architecture, and is intended to “describe the meaning of the urban configuration in all its facets” by focusing on formal properties such as style and geometry. The “discursive” category entails “reflections on urban images and narratives,” and, along with literary sources, gives emphasis to websites as symbolic carriers. It allows drawing attention to computerized media as a self-standing source of signification, pointing to the suitability of this technology of image making for manipulation, and hence—for “the terrain of city branding and marketing.” “Behavioral” symbol carriers relate to urban activities and rituals such as mass celebrations or festivals involved in the city image formation. The category “iconic” is intended toward individuals or personalities with capacity to “represent a city,” highlighting elements that help posit a city as a “goal for pilgrimage,” “sacred or profane.”

The book as a whole genuinely fulfills its function of university publication, both in that it depicts a framework that is actually open and evolving and in that it allots substantial place to emerging researchers alongside renowned authors. Hence studies of the former group adhere more closely to the principal methodology, producing insightful and detailed field research and obtaining valuable data as to the “emic” accounts of meanings assigned to urban surrounds. Established social and cultural anthropologists on the other hand, engage on extending the approach, such as for instance, E. Durr’s inquiry into the workings of urban symbols within the complex mechanisms of collective memory and in correlation with conceptions from the broader field of thought on perception, mind, and memory. On the whole, the discussion of symbolic structures appears to be based on a “top-down” versus “bottom-up” dichotomy, in a way echoing De Certeau’s distinction between rational urbanist planning and the “tactics” that people who live these designs use to make sense. However, in a close up, the detailed research of various cases also yields evidence that would actually resist such clear-cut polarity, as well as the straight- forward classification presupposed by the concepts of “production” and “consumption” of urban symbolism. Hence, for instance, the status of some behavioral symbol carriers might come out to be rather ambiguous. In this, one might consider how festivals and religious rituals, though participatory in nature, are also organized/institutionalized urban events, while practices such as street painting that would begin as grassroots initiative come to be regularized through official poli- cies—ambiguities that would point toward more intricate theoretical/interpretative schemes.

Concerned with image formation and formulation of meanings, and presenting massive concrete research material, this book, in its own terms, brings into focus the symbolic as an aspect of the problematic links between the notions of identity and location. By observing buildings, objects, and practices, which present potent links with broader analytical frameworks, this book demonstrates how such elements act also as symbolic carriers. It provides grounds to involve the symbolic into the constitution of the theoretical tools that help us understand the processes whereby urban components are constructed, utilized, imagined and remembered. This symbolic perspective sheds light on the complex techniques and dynamics through which ideas, narratives, and spaces are produced, regulated, and acquire symbolic value, pointing to possibilities of generating, collectively, spaces of cultural belonging, association and solidarity.

Maya N. Öztürk, Bilkent University, Ankara, Turkey

Book Review: Simone on Jakarta, between near and far

AbdouMaliq Simone, Jakarta: Drawing the City Near, University of Minnesota Press: Minneapolis, 2014; 320 pp.: ISBN 9780816693351 (hbk), 9780816693368 (pbk)

In Jakarta: Drawing the city near, AbdouMaliq Simone offers imagean inside-out perspective to understand the unknown realities of conventionally known urbanization process and everyday life of urban common in cities. Based on his meticulous ethnographic field study in three districts in Jakarta, Simone has produced a new spatial language from ‘within’ the city to read the distinctive trajectories of urbanization of the metropolis in the global South.

The book is structured around four inventive concepts: Near South, Urban Majority, Devising Relations and Endurance. Near South is introduced as a provisional devise to indicate how major metropolises of the non-West are moving toward or away from each other. In that sense ‘near South’ is an ‘interstitial space’ that is neither of the North nor of the South. Simone locates most metropolises in the near South to critique the binary opposition between the ‘developed’ North and the ‘underdeveloped’ South. He stretches ‘nearness’ beyond the comparison between cities and highlights that ‘certain residents have the opportunity to build specific ways of life (p. 35).’

Among the proliferation of mega-developments and emerging middle class in contemporary Jakarta, Simone draws attention to the ‘urban majority’, the residents who really bring the ‘nearness’ and shape the city by occupying and changing its spaces in their everyday practices. The urban majority is not a demographic fact or a political identity but refers to the residents who live in between strictly poor and middle class (p. 85-86). Instead of pursuing the aspirations of middle-class status, Simone shows that how the urban majority transforms urban spaces through ‘incremental’ initiatives, the actions of the residents that do not aim definitive results, but to make ‘something’ happen such as expanding a house to rent out rooms or construct a mosque in the neighborhood. Although such efforts seem simple or mostly negligible in mainstream urban theory, they are, Simone convincingly demonstrates as the ‘machines of support’. That generates not only income and opportunities but also multifaceted social, cultural, and economic networks and negotiations among residents in the city (p. 111 -114).

Yet, the close proximity or increasing density of buildings, objects, and bodies in cities do not necessarily guarantee relations. Simone thus brings the concept of ‘devising relations’ to examine the dynamic relations between inhabitants, materials, and particular spaces in Jakarta. Then he introduces metaphors such as ‘the hinge’ and ‘the hodgepodge landscape’ to emphasize how these relations allow the city to follow global urbanization trajectories when the heterogeneity of their urban spaces remain same in terms of their social composition and use.

The concept of ‘endurance,’ denotes the way in which the majority of residents continue their lives while dealing with extreme uncertainties – both dangers and opportunities – in their everyday urban life in Jakarta. Instead of being very conscious on their identities, residents focus on the possible opportunities of their daily routines and employs deception as a method of endurance in everyday urban life.

Ultimately, Simone connects his learning from an inside-out perspective in Jakarta with contemporary urban theory and policy. He necessitates the integration and enrollment of residents’ views, aspirations, and the way in which they shape spaces, in urban policy making to ensure the long run of cities. Instead of relying upon the contemporary urban theory, Simone has theorized Jakarta. His work profoundly validates the residents’ life and their contribution to continue the heterogeneous urban life of the city.

Pradeep Sangapala (Urban and Regional Planning Program, University of Alberta)

Review: Between Urban Topographies and Political Spaces

Alexis Nuselovici, Mauro Ponzi and Fabio Vighi (Eds), Between Urban Topographies and Political Spaces, Lanham, MD/ UK: Lexington Books, 2014. ISBN: 978-0739188354. Price: $80.00/ £50.30/ €73.59

This book’s aim is to contribute new spatial concepts in order to better conceptualize place (p.ix), the contemporary understanding of which has witnessed an “epistemological break” (p. vii). The editors maintain that it is crucial to search for new spatial categories in order “to describe phenomena specific to our contemporary world” (p.vii). Therefore, the research questions that inform this publication could be understood as follows: What roles do boundaries play in the context of globalization, and how do these roles transform our idea of space?

In the Introduction, it is stated that the main idea holding all its fourteen chapters together is that of ‘threshold’, a notion which can be further celebrated when approached in its multiplicity when referred to in different European languages (‘threshold’ (ENG), ‘seuil’ (FR), ‘soglia’ (IT), ‘Schwelle’ (DE)). The celebration of multiplicity in order to approach the notion of threshold, abolishing the frontiers between languages — perceiving variety as enriching, allows a better understanding of the notion — follows the scientific goal of the book: to distinguish threshold from border and frontier (p.viii) and, going even further, to replace boundaries with thresholds (p.ix). This approach to the notion of threshold, is actually extended to the approach to the topic itself (contemporary issues of spatiality). The book is multidisciplinary, cutting across disciplines, something that the editors feel that it is urgent to do, in order to overcome “the current institutional rigidity” that “does not reflect the transformations that are taking place within the human sciences”. (p.ix)

In order to both conceptualize and contextualize the book, the editors reference Michel Foucault (1926-1984), hoping the book contributes to the “spatial turn” that the philosopher predicted (ie. that at some point the spatial paradigm had to be put in relation with history (“Des Espace Autres”, 1967)), and Walter Benjamin (1892-1940), the theorist who inspired both the books’ focus on urban spaces and its structure: Thresholds (city), Spaces in-between (metropolis) and Heterotopias (post-metropolis). (p.ix)

The chapters’ sequencing is challenging due to the multidisciplinary character of the book. The first part is more traditional, approaching threshold in a more conservative way, where it is still possible to recognize the boundaries of topics. In the second part, the focus is predominantly urban, assuming a Benjaminian approach which blurs the topic’s boundaries. The third part intertwines different topics and references, making it almost impossible to distinguish any boundaries whatsoever, approaching the expression of threshold found in religion and myth.

German philosopher Bernhard Waldenfelds begins the book with “Threshold Experiences”. His work is a crucial reference for anyone interested in the subject of space in general, and in the question of borders, limits and thresholds in particular. Having developed his work consistently since the 1980s, and referencing Husserl, Schütz and other phenomenologists, he has published several key books on the subject. Waldenfeld’s extensive contribution to the subject of borders is in itself reason to read this book.

As the reader progresses, the book feels uneven. We are cautioned, in the Introduction about the approach being multidisciplinary (and in fact, there are chapters that focus on film, literature, urban studies, psychoanalysis, politics, economics and music) but the unevenness arises from a lack of clarity. There are chapters that present ideas very clearly while others are blurry and never seem to deliver their intent. Rather these “blurred” chapters occur as excessive attempts to address specific ideas.

Perhaps the book’s unevenness, and the blurriness of some contributor’s chapters, is intentional, influenced by a somewhat Deleuzian logic, where the book, or a chapter, is conceived as a web, similar to an open-system, instead of being a sequential, narrative, closed body of work. The lack of boundaries among chapters, and in some cases, within chapters, was taken too far. Boundaries were sacrificed in the name of delivering a sense of fluidity between all authors, and all disciplines, where each chapter communicates with all other chapters. This fluidity may then have resulted in a kind of frailty. Perhaps such frailty is inevitable. The notion of space is a recent research field following centuries in which “time” took centre stage. New fields of research do not emerge without their perils.. Perhaps space, though a classic concept, truly is a contemporary challenge that tests the boundaries of institutionally established disciplines in human sciences.

Though the subject of space is currently wide-ranging it is expected that in the next few years that “space” will continue to grow as a research subject. Contributors of this book repeatedly, reference: Walter Benjamin, Franz Kafka (1883-1924) and Hans Blumenberg (1920-1996). These references might give an idea of the specific approach the book takes on the subject as well as the area it covers.

In sum, the book does present a varied and original approach on the subject of space and that is much needed. The editors deserve recognition for advancing the study of “space” as an inderdisciplinary topic within human sciences. The extent to which the book is uniformly coherent is difficult to articulate, but that may not be the editors’ goal. Certainly, the book does deliver some excellent contributions, such as the Félix Duque and Ellettra Stimilli chapters on “The European Membrane” and “The Threshold between Debt and Guilt”, respectively.

-Diana Soeiro, Universidade Nova de Lisboa

(NOVA Institute of Philosophy (IFILNOVA), Faculdade de Ciências Sociais e Humanas — Universidade Nova de Lisboa (FCSH-UNL), Avenida de Berna, 26, 4º piso, 1069-061 Lisboa, Portugal. Email: or ) Edited by D. Gillespie.

Topologies and Landscape Architectures 1: Topology. Landscript 3

Vrin, Val Lumnezia, Switzerland

Topology, Landscript 3.  Christophe Girto, Anette Freytag, Albert Kirchengast, Dunja Richter (eds). Institute of Landscape Architecture ETH Zürich. Berlin: Jovis. 2013.

Landscript 3 Topology is the outcome of a workshop and the project ‘Topology – on designing landscape today’ that looked at the integrative role of landscape architecture and sought a theoretical foundation that would strengthen the aesthetic theory and pedagogy of landscape architecture in the context of new, interdisciplinary perspectives on buildings, the environment and cities. Shortcomings in the translation makes for some difficult reading. Topology here refers to changing the extent, scale and dimensions of the tasks that landscape architecture has set for itself. Stepping beyond the garden of traditional landscape architecture, or the vista of landscapes, the profession is now interested in spatial relations more generally. Topology builds on Aristotle’s definitions of topoi and topic as a rhetorical concern with sorting out what the parts of an argument will consists of and preparing them.

There are a few nuggets that leap out of the text:

Design is understood as the taming of complexity, (Kirchengast p.26).

Lucius Burckhardt, a Swiss sociologist and urban planner, and André Corboz, an architectural historian, are introduced for their theory of landscape as a social product (2006) and as a concept projected onto the environment. In Die Kunst, Stadt un Land zum Sprechen zu bringen (Basel 2001) Corboz emphasizes that and territory is an historical palimpsest. Links to the American landscape historian J.B. Jackson are noted. A later post will compare with the work of Augustin Berque.

In Warum ist Landschaft schön? die Spaziergangswissenschaft (Berlin: Schmidt 2006) Burckhardt argues: “Since spatial landscape – as in the case of an English garden – his first produced through the eyes of a viewer, it is not only pictorial also significantly structured by time”. Burckhardt suggested taking “walks as an instrument in order to adequately involve this dimension of time. Strolling denotes a time-based organization of the space from a subjective perspective enables the formation of spatial relationships.”

“He did not consider planning and design to be active processes of creation an organization that resulted in “good form” and “clear systems”… ([But] the recognition and direction of the invisible impetus within systems… Determined scratch that no longer determined by the objects and their technical, practical functions.”

Landscape “flows” with the times and changes constantly. It is not an objective entity that can be defined as synthetic product of interaction relation that needs to be situated within the system of reference.  This provides links to my position that landscape as an intangible virtuality is both real and ideal and distinct from the actually existing fauna and flora.

This position is summarized in Gion Caminada’s development planning of the isolated Swiss village of Vrin, which exploits its remoteness in a manner that provides lessons for planners in other rural communities everywhere.

-Rob Shields, University of Alberta

Review: Francis Halsall on Garrett Phelan’s Feral Phenomenology

Francis Halsall’s website of gems includes the following note as part of a reflection on the work of Garrett Phelan.

J.A. Baker’s little book, The Peregrine [1968], still has the power to arrest, astonish and unsettle. From autumn to spring in coastal East Anglia the author followed, meticulously, fanatically a pair of peregrine falcons and constructed a bare narrative around the experience. What arrests is the breathless, addictive pursuit of the mark, continuing almost every day, without rest, from October to April. During this time he records 619 kills by the hawks, an ugly figure perhaps, but one that his own quest is in a sort of weird simpatico with. What astonishes are the descriptions which become almost too intense to bear, certainly in a single reading. Landscapes emerge from careful, patient acts of immersive observation. So, during an October evening: “the wet fields exhaled that indefinable autumnal smell, a sour-sweet rich aroma of cheese and beer, nostalgic, pervasive in the heavy air. I heard a dead leaf loosen and drift down to the shining surface of the lane with a light, hard sound;” and on a partridge corpse: “Blood looked black in the dusk, bare bones white as a grin of teeth. A hawk’s kill is like the warm embers of a dying fire.” And what unsettles is the total identification that Baker reaches with both the landscape and the animals…

The First and Last Book Of Mynah Broadcast Revelations (2009)
Garret Phelan: The First and Last Book Of Mynah Broadcast Revelations (2009)

…Humans will always stumble in the face of the synesthetic and ontological riot of experience because being in the “absolute present” of the world is like hunting a swift, slippery quarry. It seems difficult if not impossible to catch as we can be weighed down with the baggage of culture, history, memory. Phelan’s response is to propose a type of feral phenomenology….

In 2005 David Foster Wallace opened a speech with the following parable:

“There are these two young fish swimming along, and they happen to meet an older fish swimming the other way, who nods at them and says, ‘Morning, boys, how’s the water?’ And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, ‘What the hell is water?’”

Just like the fish we often can’t see the water we swim in. Phenomena occur at a human scale because they occur in the human world. The challenge is to think beyond these limits; to think of voodoo free phenomenon. To be like an artist perhaps, or even a falcon.  (from Francis Halsall).

Rob Shields, University of Alberta