“The three-by-three metre map, brimming with mystical beasts and elaborate drawings, was created in 1587 by little-known Italian geographer Urbano Monte.”
Click here for the full article from CBC
“The three-by-three metre map, brimming with mystical beasts and elaborate drawings, was created in 1587 by little-known Italian geographer Urbano Monte.”
Click here for the full article from CBC
An accompanying video to Phillip Vannini’s 2017 article in Space and Culture: ‘These boardwalks were made for bushwalking: Disentangling grounds, surfaces, and walking experience’. Video by April and Phillip Vannini (2015).
EMAC Ethnography.Media.Arts.Culture Network, is a group of students and scholars based at Royal Roads University in Victoria, B.C., Canada. For more information, see: publicethnography.net
Phillip Vannini (Royal Roads University)
Climate Change, Declining Sea Ice, Extinction of Polar Bears
Analysis of statements about the future of polar bears and declining Arctic sea ice reveals a polar contrast between climate change deniers’ blogs and evidence-based scientific reports. This produces the hints of a manifold or topological space where the debate is both polarized around a left-right axis and features another line of flight (“will adapt”) that nonetheless remains within the 2 limiting dimensions of the graph of affirmation vs. denial.
Charts fromInternet Blogs, Polar Bears, and Climate-Change Denial by Proxy. BioScience. https://doi.org/10.1093/biosci/bix133(2017).
Rob Shields (University of Alberta)
Guano, Emanuela. (2017). Creative Urbanity: An Italian Middle Class in the Shade of Revitalization. Philadelphia: University of Pennsylvania Press. ISBN 9780812248784. 242 pages + notes, bibliography, index, acknowledgements.
To a casual visitor, any city usually appears to be a monolithic collection of buildings, people and open spaces, all somehow connected by a hidden code of conduct that eludes outsiders. Emanuela Guano’s nuanced Creative Urbanity: An Italian Middle Class in the Shade of Revitalization allows the reader to steal a few furtive glances at Genoa’s subtle inner workings hidden beneath the superficial exterior of an Italian port city. This is what polyvocality looks like at its finest, supported by distinct voices of its actors in six main chapters, bookended by a thorough introduction and poignant conclusions, followed by notes, bibliography, index and acknowledgements; maps and photography by the author and other contributors constitute another valuable dimension of this project.
From the effective opening vignette of Beatrice, a tour guide in Genoa’s centro storico, who informs her walking audience about mysteries of the city long-gone while “conjuring the hidden out of the familiar” (2), Guano commands her readers’ attention with ethnographic case studies viewed through a fresh gaze as she offers “a few glimpses into the city’s nature as a fluid assemblage” (18). While the supporting ethnographic field research is impressive, the motivations behind Guano’s project constitute a solid case study in and of itself. A diasporic Genoese flaneuse, Guano walked the streets of the city in a Baudelairean style, watching, taking notes, drawing conclusions and exploring the urban everyday shaped by the corporate capital. While her methodology and concept are well explained, Guano saw her project as a labor of love grown on the genesis of her own nostalgia for the city where she would have been precluded from pursuing an academic career.
The well-edited monograph contains a healthy balance of opposing views on the role of the middle classes in the production of urban space. At its very core, the book is an exploration of “the lives and experiences of those middle-class Genoese who, seeking to escape consistently high unemployment rates, invented self-employment venues for themselves” (15). The book does not “represent the city as a bounded and stable entity” (23), and it leaves room for investigating other creative practices informed by revitalization. Commandeered by blue- and white-collar workers in the 1960s, the parading life on display, passegiata, or an urban stroll, with the underlying air of aristocracy, is symbolized by the quirky cover photo with a quintessentially Italian Fiat 500 painted with a colorful cityscape of nearly uniform buildings—a combination of sloping roofs and high-rises.
The introduction, grounded in anthropology and urban theory, addresses students of neoliberalism while promising to present a cross-section of urbanity and its transformations, with a particular focus on the residual creative class. Following the outstanding literature review, Chapter 1, Chronotopes of Hope, is moderately autoethnographic as it traces the recent developments in Genoa’s rise to and fall from the level of Florence, Venice or Rome as an object of a tourist gaze, something in which the port city’s residents took great pride; this chapter provides chronotopic perspectives on the urban everyday starting with the 1970s and tracing the city’s ups and downs through the 2010s. The first major case study, Chapter 2, Genoa’s Magic Circle, narrates the dramatic events of the 2001 G8 Summit that cut short much hope for the city’s entrance to the global stage; the corollary of violence and state repression informs the discussion of local middle-class urbanity to present a different kind of aestheticization of the city stemming from its reimagining as a stage for the performance of a global political drama. Written as an ethnographic analysis of the gentrification that has unfolded in Genoa’s centro storico since the early 1990s, Chapter 3, Gentrification without Teleologies, presents a fascinating example in the study on spatial relations of solids vs. voids in an urban environment—the vertical stratification based on access to daylight; the chapter tackles gentrification as an assemblage of people, logics and materialities: one whereby a nexus of neoliberal rationality, the built environment and old and new neighborhood residents and users contribute to making a world whose emergent dynamics may, at times, unfold along the lines of the well-researched template of the capitalist “spatial fix”—and yet, at other times, they are considerably more complex. The discussion of how women eke out their living while being accused of stealing a man’s job serves as the framework for Chapter 4, Cultural Bricoleuses, with antique fairs and dealers as the subject against the backdrop of the transformation that has unfolded not just through the regeneration of the built environment, but also through spatial practices that are part of the urban everyday within an economy of consumable heritage based on the marketing of cultural and symbolic goods, services and experiences. Genoa’s walking tour guides who tread the tenuous line that separates academic knowledge from cultural consumption feature in Chapter 5, Touring the Hidden City, which contrasts the high vs. popular culture in the tourist vocation enmeshed in the aristocratic rejection of urban ostentation. The ethnography of the annual Suq, a multicultural festival—informed by its intentional hybrid spatiality—held annually in Genoa under the supervision of two women on a mission to further the cause of diversity in the city comprises Chapter 6, Utopia with No Guarantees, followed by a cautiously optimistic final research section of the monograph, Conclusion, that offers hope through a combination of empathy and sympathy Guano has for the city of her formative years where the never ending revolving door of businesses dying out, born, improved and declining points to a luminous future (195). The additional notes to various sections dispel any possible lack of clarity while framing the discussion in a much broader cultural event or a series of events, e.g., the Chinese migration to Italy.
The brevity of the monograph makes the work a victim of its author’s skill and expertise combined with the engaging and heartfelt narratives. As with any ethnography, a few elements of this one might have seemed outdated already at the time of press, and Guano realized that some of the realities she was analyzing were no longer quite as current. Any superficial deficiencies aside, Creative Urbanity: An Italian Middle Class in the Shade of Revitalization constitutes a solid contribution to the areas of anthropology, urban studies, aesthetics, political economy, labor studies, ethnography and gender studies—one could only wish to read more of such intricately and exquisitely crafted ethnographic portraits of cities in the 21st century.
Caesar Perkowski (Gordon State College)
Setha Low is an anthropologist long recognized for her contributions to the study of space and place. In her most recent book, Spatializing Culture, Low draws on over twenty years of research to outline, clarify, and expand upon the concept of “spatializing culture,” which she has been developing since her 1996 article in American Ethnologist: “Spatializing culture: The social production and social construction of public space in Costa Rica.” While Low claims that her most recent book is not a review of space and place in anthropology (p. 11), in many ways, it functions as a survey of key formulations and theories that have influenced and generated current ethnographic research on space and place, providing illustrative examples of such ethnographic research from around the world. Consequently, Spatializing Culture would be especially useful as an introduction to space and place for undergraduate and graduate students across various disciplines, particularly those that already utilize or would benefit from ethnographic methods such as anthropology, sociology, cultural geography, urban studies, and environmental psychology.
Low’s systematic organization of the material lends itself well for a textbook. Apart from the requisite introduction and conclusion that highlight the importance and relevance of ethnography, space, and place, the second chapter, “Genealogies: The concepts of space and place” draws on the tradition of Foucault’s genealogies to structure the discussion of major influences. Low loosely ties together ideas and theories that have influenced one another, whether through French social theory or disciplinary traditions such as architecture, geography, or anthropology as opposed to presenting a historiography of space and place. Her use of Venn diagrams of space and place to represent the relationship of these concepts as they are used and understood within different genealogies exemplifies her attempt to make the differing theoretical orientations accessible to novices.
As Low, herself, explains:
This book is organized around spatializing culture as a framework made up of various conceptual frames. Each is examined with three objectives in mind. The first is to trace its scholarly development and discuss its strengths and limitations….The second objective is to demonstrate how ethnography can elucidate each and provide insights into a range of places and problems….The third objective…is to show how the different conceptual frames overlap and intersect. (pp. 8-9)
Chapters three through eight explicate the six conceptual frames that constitute her framework for spatializing culture, titled 3) the social production of space, 4) the social construction of space, 5) embodied space, 6) language, discourse and space, 7) emotion, affect and space, and 8) translocal space. The first half of each chapter provides the theoretical grounding that scholars have developed and used to understand space and place through the particular lens or frame of embodiment or language, for example, while the second half provides ethnographic examples of how these frames are operationalized. The use of ethnographic examples, apart from being a major methodological contribution of Low’s anthropological background, serves to address two interacting methodological questions. “How does the conceptual frame shape a particular research project,” and how, in turn, “ethnographic research help[s] to clarify and enhance the utility of the approach?” (p. 9)
It is clear that chapters three and four on the social production and social construction of space occupy what Low sees as the most significant or established ways in which space and place have been traditionally framed. Moreover, her choice to begin with social production over social construction reveals her own political leanings that highlight materialist approaches to power, hegemonic processes, and relationships of inequality. Where many scholars of space and place might begin with social construction as a departure point for understanding space and place in which social interaction and symbolic processes take the lead, Low’s attachment to an “engaged” anthropology demands a political alignment with those who have been systematically excluded, rendering their limited ways of constructing space practically invisible. Low’s ethnographic examples for social production in Costa Rica and Taiwan demonstrate the strength of a social production frame that offers insights into unequal development, surveillance, and incursions of capitalism while her examples for social construction in Philadelphia and Beirut reveal how local communities contest redevelopment that ignores local meanings and attachments to places and spaces.
Chapter five on embodied spaces is Low’s response to the limited binary of social production and social construction. In it she defines terms such as body, embodiment, and sensorium and places them within the complex literature that moves from proxemics, to phenomenology, to mobility. Her ethnographic examples highlight how space can be located in the body, whether individual or collective, and provides avenues for coalescing social production and social construction within the body.
With subsequent chapters six through eight, the overlap with previous theoretical underpinnings becomes more pronounced and it appears that while ethnographic approaches within these frames certainly focus on discursive, affective, or translocal approaches, they play a more supportive or extending role tied to social production, social construction, or embodiment. This, of course, speaks to Low’s objective of demonstrating how these frames overlap and intersect, but also reveal the limitations of using these conceptual frames as an organizing structure for an ethnographic textbook. Nevertheless, the review of literature within each chapter is extensive, with ample examples of how different scholars theorize space and place through these frames. Consider Low’s referencing Ben Anderson’s and Kathleen Stewart’s work to discuss how affective atmospheres circulate spatially through bodies and also extend beyond the body as a kind of sensory attunement to others’ worlds. Their work demonstrates how Low’s conceptual frames of embodiment and affect can intersect. The ethnographic examples in these chapters again offer an array of global research that takes us from New York to Cairo to Tel Aviv.
Low acknowledges that her conceptual frames are not exhaustive, drawing particular attention to the largely absent notions of mediated and virtual frames. While it may be true that such a treatment could easily fill another book, it is not difficult to imagine another chapter in which she traces the scholarly work in this area and provides one or two key ethnographic examples of how this plays out in understandings of space and place. Could it be that an examination of virtual space challenges notions of traditional ethnography’s hold as a particularly useful method or that textual and mediated approaches push the boundaries of what constitutes ethnography? More likely, such an approach may be outside of Low’s own experiences as ways of understanding space and place, unlike the other six frames that are all born out of her own struggles to make sense of her ethnographic research.
This is a minor critique when we consider that as a textbook on space and place, Spatializing Culture offers much as a reference guide to key theories and demonstrates the contributions of an ethnographic approach. The organization of the text has its benefits and limitations with some redundancy in overlapping and intersecting approaches, but ultimately serves its student audience well. Setha Low continues to make an important contribution to current understandings of space and place and makes complex ideas accessible through numerous examples that underscore the significance of studying space and place. For those interested in a survey of ethnographic approaches to the study of space, place, and culture, Spatializing Culture is a worthwhile departure point.
Jessica Montalvo (University of South Florida)
Low, S. M. (1996). Spatializing culture: the social production and social construction of public space in Costa Rica. American ethnologist, 23(4), 861-879.
On Friday, October 27, 2017 Dr. Rob Shields gave a talk on “The Social Life of Infrastructure” for the Space and Culture Research Group at the University of Alberta. Below is a brief description of Dr. Shield’s talk along with an audio recording.
What are the social effects of built infrastructure? Changing public interaction with civic infrastructure accumulates to changes in Canadian social forms. Infrastructure affects social integration, accessibility, and inclusiveness. Infrastructure choices affect the relations of core and periphery, and the exercise of sovereignty and Canadian values.
On Sept 29, 2017 Dr. Paulina Mickiewicz gave a talk entitled “Conserving the Future, Precipitate Ecologies and Architectures” for the Space and Culture Research Group at the University of Alberta. Below is a brief description of Dr. Mickiewicz’s talk, some related links, and an audio recording.
What does it mean to archive nature? The growing unease about cetaceans and other species in captivity echoes our increasing unrest and mounting need to reintroduce “nature” back into our urbanized, industrialized, and technologized lives. This presentation will explore the increasingly complex relationships between conservation and preservation, media technologies, architectural design and the reconceptualization of the environment, and how these issues are bound up with states of saturation that inevitably (and materially) precipitate novel organizational and architectural responses.
Over the summer, Contemporary Gallery Calgary had a wonderful exhibition looking back 50 years to the futurism of late 60s designers who were commissioned to produce buildings for the Centennial of Canadian Confederation in 1967. Architecture and National Identity: The Centennial Projects 50 Years On, curated by Marco Polo & Colin Ripley for Confederation Centre Art Gallery of Charlottetown is currently at Paul H. Cocker Gallery, 325 Church Street, Toronto until Nov. 10 2017.
Rob Shields (University of Alberta)
In Revisiting Social Factors, Georgia Lindsay and Lusi Morhayim take on an ambitious set of questions both reflective and forward-looking: What is the status of social and behavioral research in environmental design? How can the rich, fifty-year history of Social Factors continue to shape, for the better, the places we design and inhabit and inform scholarship at the intersection of culture, space, and place?
We begin in Berkeley, California, where the first Social Factors program in an Architecture department began in the 1960s and where, in 2011, a conference entitled “The Death and Life of ‘Social Factors’: A Conference Reexamining Behavioral and Cultural Research in Environmental Design” convened to investigate the state of “research regarding the relationship between culture, individuals, and the built environment.” As a young Social Factors scholar at Berkeley, the “d” word—death—haunted me: how could Social Factors be dead? Undoubtedly, the field has undergone substantial change since its 1960s heyday, and, in some ways, is marked by the patina of time: neither the behaviorist origins nor the language we use to talk about Social Factors is adequate for today’s research and practice agenda. Yet this book, born from the papers presented at the “Death and Life of ‘Social Factors’” conference, testifies to the long and still robust life of the field. Echoing Jane Jacobs, who both acknowledged the lifelessness of ‘renewed’ urban space to contrast (and attempt to preserve) the promise and joy inherent in historic, diverse city life, the chapters that follow do not chronicle or foretell the death of Social Factors, but rather celebrate its life, then and now.
In fact, as Galen Cranz argues in the Foreword to this book, a social perspective reaches farther into architectural education, scholarship, and practice today than ever before: the National Architectural Accrediting Board requires that all students engage in courses that expose them to social and cultural concerns, the rise of interest in architecture for the public good demonstrates a profound appreciation for contextually sensitive design, and, according to Cranz, “approximately half of the research in building science entails social variables” like comfort and use. Further, the eight essays that comprise this book show how the previous accomplishments of the field and the innovative, interdisciplinary work being done by researchers and practitioners regarding people and their spaces continue to reverberate—and make significant contributions to architectural theory and practice—today.
Though rooted in its Berkeley origins, Revisiting Social Factors boasts broad appeal in the breadth of subject matter it takes on. The book, divided into two sections, begins with a series of essays that orient the reader to the linguistic, historic, and methodological underpinnings of Social Factors and chart a course for future scholarship. In “The Words We Choose,” Karen Franck explores how the language we use to talk about Social Factors research can obscure the value, scope, and disciplinary edges of this field. For example, though “tremendously inclusive,” the terms environment and behavior tend to atomize and stagnate concepts and, in so doing, belie the complex co-influence of people and their places. Instead, we might say space and use—as in the social use of space—or choose other words that convey something multiple, relational, dynamic, and, yes, alive.
Next, Suzanne Cowan and Ayda Melika offer a critical reflection on the history of the Social Factors field—which they articulate as two separate yet parallel strands, one attempting to apply social science methods to social problems and the other aiming to integrate partnerships and participatory methods into design—from the pioneering work of Edward T. Hall and Berkeley’s Clare Cooper Marcus, to the more contemporary contributions of Rem Koolhaas and Teddy Cruz. In considering the origin, successes, and critiques of Social Factors, Cowan and Melika highlight the uneven legacy of this field: its institutionalization in design schools is both its enduring success and its great limitation. Still, the authors suggest a way forward: “This type of research can serve to ground and substantiate the fervor of good intentions and desire for social reform that seem to remain a fundamental part of contemporary architectural discourse.”
Similarly bridging past and present, Dominic Fisher investigates whether the findings of William H. Whyte’s seminal 1971 study of New York City’s small urban spaces remain true today. In a comparative study of two parks—Paley Park, the darling of Whyte’s study, and its predecessor, Harlem’s Collyer Brothers Park—Fisher demonstrates how contextual factors shape the success of a park (Paley) or its neglect (Collyer). Ultimately, he concludes that, in today’s changing urban fabric, Whyte’s praise of small urban spaces as “multipliers” of activity “is still invaluable, but cannot be applied verbatim to seemingly similar spaces in communities underserved by healthy streets and opportunities.” Fisher’s work demonstrates how a contemporary approach to Social Factors research can—and should—continue to inform urban design practices.
If Part 1’s orientation to Social Factors suggests a modern approach to long-standing questions in the field, Part 2 makes good on this promise by showcasing people doing social factors research in both academic and professional settings. Comprised of five studies “that assume the user perspective, with human responses and needs as the unit of measurement,” Part 2 conveys how Social Factors is uniquely poised to address some of the most pressing concerns of our time.
Designing for people with disabilities has long been an interest of socially-minded architects. Yet Ann Heylighten challenges normative approaches to designing for disabled bodies by focusing not on positivist universal design standards, but rather on how people with a range of disabilities—lack of sightedness, hearing deficiencies, and autism—experience built settings in unique ways; such insights can inform new understandings about both definitions of disability (which she defines relationally in the context of person-environment fit, rather than as an inherent individual condition) and spatial experience more broadly.
Programmer Emily Golembewski similarly urges the reader away from a normative practice, this time of programming, a distinct discipline from design, though equally integral in ensuring person-environment fit. Informed by her work at Francis Duffy’s innovative office programming firm, DEGW (now AECOM), Golembiewski offers a toolkit for programming methods: she introduces readers to the strengths and limitations of “formulaic” and “messy” approaches to user research, with the ultimate goal to “identify needs and project drivers, which may be organizational, financial, functional, or cultural in nature.” Though Golembewski’s audience ostensibly is professional programmers and designers whom she hopes will integrate user research into architectural practice, she also makes a compelling plea for architectural educators to “explore the (sometimes tense) relationship between programming and design,” in order to achieve the best possible design outcome.
Marie-Alice L’Hereux also considers the role of education in Social Factors work, particularly regarding sustainability. L’Hereux sees sustainability through a decidedly social lens: “aesthetics, behavior, and technology,” she argues, “all need to be engaged for projects to be successful from both a community and a climate change perspective.” Translation: to be sustainable, buildings must be designed for human use and must perform socially as much as environmentally. Yet L’Hereux demonstrates how easy it can be to neglect social needs when residents are not consulted as part of the design process and social factors are not an explicit part of the curriculum or design criteria. For example, students in a Design-Build Studio focusing on sustainable affordable housing ignored “the fine-grained features of daily life and…maintenance and utility costs,” such that, in the end, according to one student builder, “we did not really design a house that people would live in…it had a neat effect, made good pictures” but did not meet the needs of clients. This chapter reinforces the importance and role of social factors as a primary tenet not just of sustainable design, but of design itself.
A chapter by Yael Perez and colleagues complements that of L’Hereux by offering digital and methodological tools to design sustainably with people; in other words, to engage in co-design to create sustainable housing. Reflecting on their work with the Pinoleville Pomo Nation (PPN), a Native American Nation near Berkeley, CA, Perez and colleagues demonstrate the power of co-design to support a sustainable design approach. Additionally, they show how social media technologies—including Facebook, email, blogs, Google Maps, YouTube videos, and Twitter— can facilitate dialogue among participants and designers in order to articulate how architecture is experienced and—ultimately—design buildings that celebrate community needs.
Such an understanding of people-place interactions—and their translation to meaningful policies and practices—is one of the important legacies of the Social Factors field. A contemporary example of this comes from Cecilia Bodelmann and a team of colleagues from the United States and Sweden. Recognizing two parallel shifts—the rise of sedentary behavior among children and the expansion of preschooling—Bodelmann and colleagues studied the health promotion potential of preschool outdoor environments. After scoring a range of environments based on factors such as size and integration of vegetation and play areas, the authors found that resource-rich environments correlated with increased levels of physical activity among preschool-aged children. This study has clear implications for policy and design practice, especially regarding the need to create healthy learning environments for young people as a means to combat deleterious impacts of sedentary behavior. It also is an inspiring model for how interdisciplinary collaboration can fruitfully address person-environment concerns.
This book began with a lofty promise: to show how questions and research regarding people and place are very much alive today. Though the case studies included are limited in breadth, as is the nature of case studies, they prove nevertheless that the basic priorities of Social Factors serve a vibrant and important role in education, research, and practice today. Indeed, though difficult to convey in just a few chapters the full depth—or potential—of the social factors field, the “cross-section” approach employed by Lindsay and Morhayim successfully uncovers the range of questions alive in person-environment studies as well as the many voices—emerging and seasoned scholars, different disciplines, local and international perspectives—they engage therein.
Importantly, this text is not simply for those of us already familiar with, drawn to, or invested in revisiting Social Factors: in fact, it can inform research and practice in other fields as well. First, it offers an agile framework for thinking about and designing for the intersections of people and place, a topic of interest to geographers, historians, and public health researchers, to name just a few. Second, its authors collectively call for reform in design education—a timely topic as we consider the challenges of designing in a world defined by increasing diversity and complexity—and offer case studies that would be at home in many (interdisciplinary) course syllabi. Finally, this book is edifying reading for designers of all types: a reminder of the value of the social perspective and a toolkit for how to think about and design for the social use of space.
Caitlin DeClercq (University of California, Berkeley)
Subdivided: City-Building in an Age of Hyper-Diversity (2016) is a collection of essays taken from a varied source of contributors writing about their experiences of diversity living in Toronto edited by Jay Pitter and John Lorinc. The book attempts to unpack the municipal and national mantra of “diversity is our strength” by exposing the reader to a myriad of unique experiences and world views and complicate the narrative of Toronto as the most multicultural city in the world. As Pitter writes, the reality of hyper-diversity demands a recognition of “diversities within diversities within diversities” and of the intersectionalities of the identities associated which make up that diversity.
Neither of the editors belong to the discipline or the profession of urban planner or have been involved in municipal governance, they are better described as city-builders: writers and activists that have invested personally and professionally in advancing progressive action in Toronto. Pitter has worked (and grew up in housing) with the Toronto Community Housing Corporation and both have written for publications such as Spacing and Walrus, among others. The rest of the contributors make up a diverse group of writers, urban planners, journalists, and lawyers among others.
With a narrative form and personal stories, Subdivided is aimed at a broad audience. While the inclusion of more theoretical and ideological language might distance some readers, the personal tone of the contributions anchors their stories in a very real and relatable way.
Although the stories shared in the book are very different, what they and the editors share is a desire to critique the current conception of diversity in Toronto and to explore the socioeconomic realities of the divisions separating those diverse groups. An interesting thread that the book picks is the universality of the impact upon these disparate groups relating to the changing economic realities of Toronto as housing prices skyrocket and government programs have been curtailed or abandoned completely. While reaching few conclusions, this exploration of the meaning of diversity in a changing economic and social context does accomplish its intended purpose – to start conversations. Exposing the reader to experiences of the “diverse” living at the margins of the popular and institutionally supported conception of Toronto’s diversity as a fait accompli (an attitude the transnationally wealthy in Toronto like to pat themselves on the back for), this anthology raises the question of what that attitude really means for those living that diversity without the power to challenge the accepted rhetoric.
Kieran Moran (University of Alberta)