Category Archives: reading

Review: Creative Urbanity

Guano, Emanuela. (2017). Creative Urbanity: An Italian Middle Class in the Shade of Revitalization. Philadelphia: University of Pennsylvania Press. ISBN 9780812248784. 242 pages + notes, bibliography, index, acknowledgements.

To a casual visitor, any city usually appears to be a monolithic collection of buildings, people and open spaces, all somehow connected by a hidden code of conduct that eludes outsiders. Emanuela Guano’s nuanced Creative Urbanity: An Italian Middle Class in the Shade of Revitalization allows the reader to steal a few furtive glances at Genoa’s subtle inner workings hidden beneath the superficial exterior of an Italian port city. This is what polyvocality looks like at its finest, supported by distinct voices of its actors in six main chapters, bookended by a thorough introduction and poignant conclusions, followed by notes, bibliography, index and acknowledgements; maps and photography by the author and other contributors constitute another valuable dimension of this project.

From the effective opening vignette of Beatrice, a tour guide in Genoa’s centro storico, who informs her walking audience about mysteries of the city long-gone while “conjuring the hidden out of the familiar” (2), Guano commands her readers’ attention with ethnographic case studies viewed through a fresh gaze as she offers “a few glimpses into the city’s nature as a fluid assemblage” (18). While the supporting ethnographic field research is impressive, the motivations behind Guano’s project constitute a solid case study in and of itself. A diasporic Genoese flaneuse, Guano walked the streets of the city in a Baudelairean style, watching, taking notes, drawing conclusions and exploring the urban everyday shaped by the corporate capital. While her methodology and concept are well explained, Guano saw her project as a labor of love grown on the genesis of her own nostalgia for the city where she would have been precluded from pursuing an academic career.

The well-edited monograph contains a healthy balance of opposing views on the role of the middle classes in the production of urban space. At its very core, the book is an exploration of “the lives and experiences of those middle-class Genoese who, seeking to escape consistently high unemployment rates, invented self-employment venues for themselves” (15).  The book does not “represent the city as a bounded and stable entity” (23), and it leaves room for investigating other creative practices informed by revitalization. Commandeered by blue- and white-collar workers in the 1960s, the parading life on display, passegiata, or an urban stroll, with the underlying air of aristocracy, is symbolized by the quirky cover photo with a quintessentially Italian Fiat 500 painted with a colorful cityscape of nearly uniform buildings—a combination of sloping roofs and high-rises.

(Guano, 2016)

The introduction, grounded in anthropology and urban theory, addresses students of neoliberalism while promising to present a cross-section of urbanity and its transformations, with a particular focus on the residual creative class. Following the outstanding literature review, Chapter 1, Chronotopes of Hope, is moderately autoethnographic as it traces the recent developments in Genoa’s rise to and fall from the level of Florence, Venice or Rome as an object of a tourist gaze, something in which the port city’s residents took great pride; this chapter provides chronotopic perspectives on the urban everyday starting with the 1970s and tracing the city’s ups and downs through the 2010s. The first major case study, Chapter 2, Genoa’s Magic Circle, narrates the dramatic events of the 2001 G8 Summit that cut short much hope for the city’s entrance to the global stage; the corollary of violence and state repression informs the discussion of local middle-class urbanity to present a different kind of aestheticization of the city stemming from its reimagining as a stage for the performance of a global political drama. Written as an ethnographic analysis of the gentrification that has unfolded in Genoa’s centro storico since the early 1990s, Chapter 3, Gentrification without Teleologies, presents a fascinating example in the study on spatial relations of solids vs. voids in an urban environment—the vertical stratification based on access to daylight; the chapter tackles gentrification as an assemblage of people, logics and materialities: one whereby a nexus of neoliberal rationality, the built environment and old and new neighborhood residents and users contribute to making a world whose emergent dynamics may, at times, unfold along the lines of the well-researched template of the capitalist “spatial fix”—and yet, at other times, they are considerably more complex. The discussion of how women eke out their living while being accused of stealing a man’s job serves as the framework for Chapter 4, Cultural Bricoleuses, with antique fairs and dealers as the subject against the backdrop of the transformation that has unfolded not just through the regeneration of the built environment, but also through spatial practices that are part of the urban everyday within an economy of consumable heritage based on the marketing of cultural and symbolic goods, services and experiences. Genoa’s walking tour guides who tread the tenuous line that separates academic knowledge from cultural consumption feature in Chapter 5, Touring the Hidden City, which contrasts the high vs. popular culture in the tourist vocation enmeshed in the aristocratic rejection of urban ostentation. The ethnography of the annual Suq, a multicultural festival—informed by its intentional hybrid spatiality—held annually in Genoa under the supervision of two women on a mission to further the cause of diversity in the city comprises Chapter 6, Utopia with No Guarantees, followed by a cautiously optimistic final research section of the monograph, Conclusion, that offers hope through a combination of empathy and sympathy Guano has for the city of her formative years where the never ending revolving door of businesses dying out, born, improved and declining points to a luminous future (195). The additional notes to various sections dispel any possible lack of clarity while framing the discussion in a much broader cultural event or a series of events, e.g., the Chinese migration to Italy.

The brevity of the monograph makes the work a victim of its author’s skill and expertise combined with the engaging and heartfelt narratives. As with any ethnography, a few elements of this one might have seemed outdated already at the time of press, and Guano realized that some of the realities she was analyzing were no longer quite as current. Any superficial deficiencies aside, Creative Urbanity: An Italian Middle Class in the Shade of Revitalization constitutes a solid contribution to the areas of anthropology, urban studies, aesthetics, political economy, labor studies, ethnography and gender studies—one could only wish to read more of such intricately and exquisitely crafted ethnographic portraits of cities in the 21st century.

Caesar Perkowski (Gordon State College)

Review: Spatializing Culture

Setha Low. (2017).  Spatializing Culture: The Ethnography of Space and Place. London and New York: Routledge. ISBN: 978-1-138-94561-6.

(Setha Low, 2017)

Setha Low is an anthropologist long recognized for her contributions to the study of space and place.  In her most recent book, Spatializing Culture, Low draws on over twenty years of research to outline, clarify, and expand upon the concept of “spatializing culture,” which she has been developing since her 1996 article in American Ethnologist: “Spatializing culture: The social production and social construction of public space in Costa Rica.”  While Low claims that her most recent book is not a review of space and place in anthropology (p. 11), in many ways, it functions as a survey of key formulations and theories that have influenced and generated current ethnographic research on space and place, providing illustrative examples of such ethnographic research from around the world.  Consequently, Spatializing Culture would be especially useful as an introduction to space and place for undergraduate and graduate students across various disciplines, particularly those that already utilize or would benefit from ethnographic methods such as anthropology, sociology, cultural geography, urban studies, and environmental psychology.

Low’s systematic organization of the material lends itself well for a textbook.  Apart from the requisite introduction and conclusion that highlight the importance and relevance of ethnography, space, and place, the second chapter, “Genealogies: The concepts of space and place” draws on the tradition of Foucault’s genealogies to structure the discussion of major influences.  Low loosely ties together ideas and theories that have influenced one another, whether through French social theory or disciplinary traditions such as architecture, geography, or anthropology as opposed to presenting a historiography of space and place. Her use of Venn diagrams of space and place to represent the relationship of these concepts as they are used and understood within different genealogies exemplifies her attempt to make the differing theoretical orientations accessible to novices.

As Low, herself, explains:

This book is organized around spatializing culture as a framework made up of various conceptual frames.  Each is examined with three objectives in mind.  The first is to trace its scholarly development and discuss its strengths and limitations….The second objective is to demonstrate how ethnography can elucidate each and provide insights into a range of places and problems….The third objective…is to show how the different conceptual frames overlap and intersect. (pp. 8-9)

Chapters three through eight explicate the six conceptual frames that constitute her framework for spatializing culture, titled 3) the social production of space, 4) the social construction of space, 5) embodied space, 6) language, discourse and space, 7) emotion, affect and space, and 8) translocal space.  The first half of each chapter provides the theoretical grounding that scholars have developed and used to understand space and place through the particular lens or frame of embodiment or language, for example, while the second half provides ethnographic examples of how these frames are operationalized.  The use of ethnographic examples, apart from being a major methodological contribution of Low’s anthropological background, serves to address two interacting methodological questions.  “How does the conceptual frame shape a particular research project,” and how, in turn, “ethnographic research help[s] to clarify and enhance the utility of the approach?” (p. 9)

It is clear that chapters three and four on the social production and social construction of space occupy what Low sees as the most significant or established ways in which space and place have been traditionally framed.  Moreover, her choice to begin with social production over social construction reveals her own political leanings that highlight materialist approaches to power, hegemonic processes, and relationships of inequality.  Where many scholars of space and place might begin with social construction as a departure point for understanding space and place in which social interaction and symbolic processes take the lead, Low’s attachment to an “engaged” anthropology demands a political alignment with those who have been systematically excluded, rendering their limited ways of constructing space practically invisible.  Low’s ethnographic examples for social production in Costa Rica and Taiwan demonstrate the strength of a social production frame that offers insights into unequal development, surveillance, and incursions of capitalism while her examples for social construction in Philadelphia and Beirut reveal how local communities contest redevelopment that ignores local meanings and attachments to places and spaces.

Chapter five on embodied spaces is Low’s response to the limited binary of social production and social construction.  In it she defines terms such as body, embodiment, and sensorium and places them within the complex literature that moves from proxemics, to phenomenology, to mobility.  Her ethnographic examples highlight how space can be located in the body, whether individual or collective, and provides avenues for coalescing social production and social construction within the body.

With subsequent chapters six through eight, the overlap with previous theoretical underpinnings becomes more pronounced and it appears that while ethnographic approaches within these frames certainly focus on discursive, affective, or translocal approaches, they play a more supportive or extending role tied to social production, social construction, or embodiment. This, of course, speaks to Low’s objective of demonstrating how these frames overlap and intersect, but also reveal the limitations of using these conceptual frames as an organizing structure for an ethnographic textbook. Nevertheless, the review of literature within each chapter is extensive, with ample examples of how different scholars theorize space and place through these frames.  Consider Low’s referencing Ben Anderson’s and Kathleen Stewart’s work to discuss how affective atmospheres circulate spatially through bodies and also extend beyond the body as a kind of sensory attunement to others’ worlds.  Their work demonstrates how Low’s conceptual frames of embodiment and affect can intersect.  The ethnographic examples in these chapters again offer an array of global research that takes us from New York  to Cairo to Tel Aviv.

Low acknowledges that her conceptual frames are not exhaustive, drawing particular attention to the largely absent notions of mediated and virtual frames.  While it may be true that such a treatment could easily fill another book, it is not difficult to imagine another chapter in which she traces the scholarly work in this area and provides one or two key ethnographic examples of how this plays out in understandings of space and place.  Could it be that an examination of virtual space challenges notions of traditional ethnography’s hold as a particularly useful method or that textual and mediated approaches push the boundaries of what constitutes ethnography? More likely, such an approach may be outside of Low’s own experiences as ways of understanding space and place, unlike the other six frames that are all born out of her own struggles to make sense of her ethnographic research.

This is a minor critique when we consider that as a textbook on space and place, Spatializing Culture offers much as a reference guide to key theories and demonstrates the contributions of an ethnographic approach. The organization of the text has its benefits and limitations with some redundancy in overlapping and intersecting approaches, but ultimately serves its student audience well.  Setha Low continues to make an important contribution to current understandings of space and place and makes complex ideas accessible through numerous examples that underscore the significance of studying space and place.  For those interested in a survey of ethnographic approaches to the study of space, place, and culture, Spatializing Culture is a worthwhile departure point.

Jessica Montalvo (University of South Florida)

 

References:

Low, S. M. (1996). Spatializing culture: the social production and social construction of public space in Costa Rica. American ethnologist, 23(4), 861-879.

Part 2 of 2 – W.E.B. Du Bois and race in Brazil

From a Brazilian perspective, Du Bois work is of particular interest.  It’s interesting to find out that Du Bois was so attentive to science as a way to fight racism. Black movements (and many other minorities) sometimes are too attached to emotional sides of the process, such as pride and identity, but less attached to studies that would possibly promote dialogue and systemic changes.

Capitalism is a system based not only on inequalities but segregation.

Continue reading Part 2 of 2 – W.E.B. Du Bois and race in Brazil

Review: Between Urban Topographies and Political Spaces

Alexis Nuselovici, Mauro Ponzi and Fabio Vighi (Eds), Between Urban Topographies and Political Spaces, Lanham, MD/ UK: Lexington Books, 2014. ISBN: 978-0739188354. Price: $80.00/ £50.30/ €73.59

This book’s aim is to contribute new spatial concepts in order to better conceptualize place (p.ix), the contemporary understanding of which has witnessed an “epistemological break” (p. vii). The editors maintain that it is crucial to search for new spatial categories in order “to describe phenomena specific to our contemporary world” (p.vii). Therefore, the research questions that inform this publication could be understood as follows: What roles do boundaries play in the context of globalization, and how do these roles transform our idea of space?

In the Introduction, it is stated that the main idea holding all its fourteen chapters together is that of ‘threshold’, a notion which can be further celebrated when approached in its multiplicity when referred to in different European languages (‘threshold’ (ENG), ‘seuil’ (FR), ‘soglia’ (IT), ‘Schwelle’ (DE)). The celebration of multiplicity in order to approach the notion of threshold, abolishing the frontiers between languages — perceiving variety as enriching, allows a better understanding of the notion — follows the scientific goal of the book: to distinguish threshold from border and frontier (p.viii) and, going even further, to replace boundaries with thresholds (p.ix). This approach to the notion of threshold, is actually extended to the approach to the topic itself (contemporary issues of spatiality). The book is multidisciplinary, cutting across disciplines, something that the editors feel that it is urgent to do, in order to overcome “the current institutional rigidity” that “does not reflect the transformations that are taking place within the human sciences”. (p.ix)

In order to both conceptualize and contextualize the book, the editors reference Michel Foucault (1926-1984), hoping the book contributes to the “spatial turn” that the philosopher predicted (ie. that at some point the spatial paradigm had to be put in relation with history (“Des Espace Autres”, 1967)), and Walter Benjamin (1892-1940), the theorist who inspired both the books’ focus on urban spaces and its structure: Thresholds (city), Spaces in-between (metropolis) and Heterotopias (post-metropolis). (p.ix)

The chapters’ sequencing is challenging due to the multidisciplinary character of the book. The first part is more traditional, approaching threshold in a more conservative way, where it is still possible to recognize the boundaries of topics. In the second part, the focus is predominantly urban, assuming a Benjaminian approach which blurs the topic’s boundaries. The third part intertwines different topics and references, making it almost impossible to distinguish any boundaries whatsoever, approaching the expression of threshold found in religion and myth.

German philosopher Bernhard Waldenfelds begins the book with “Threshold Experiences”. His work is a crucial reference for anyone interested in the subject of space in general, and in the question of borders, limits and thresholds in particular. Having developed his work consistently since the 1980s, and referencing Husserl, Schütz and other phenomenologists, he has published several key books on the subject. Waldenfeld’s extensive contribution to the subject of borders is in itself reason to read this book.

As the reader progresses, the book feels uneven. We are cautioned, in the Introduction about the approach being multidisciplinary (and in fact, there are chapters that focus on film, literature, urban studies, psychoanalysis, politics, economics and music) but the unevenness arises from a lack of clarity. There are chapters that present ideas very clearly while others are blurry and never seem to deliver their intent. Rather these “blurred” chapters occur as excessive attempts to address specific ideas.

Perhaps the book’s unevenness, and the blurriness of some contributor’s chapters, is intentional, influenced by a somewhat Deleuzian logic, where the book, or a chapter, is conceived as a web, similar to an open-system, instead of being a sequential, narrative, closed body of work. The lack of boundaries among chapters, and in some cases, within chapters, was taken too far. Boundaries were sacrificed in the name of delivering a sense of fluidity between all authors, and all disciplines, where each chapter communicates with all other chapters. This fluidity may then have resulted in a kind of frailty. Perhaps such frailty is inevitable. The notion of space is a recent research field following centuries in which “time” took centre stage. New fields of research do not emerge without their perils.. Perhaps space, though a classic concept, truly is a contemporary challenge that tests the boundaries of institutionally established disciplines in human sciences.

Though the subject of space is currently wide-ranging it is expected that in the next few years that “space” will continue to grow as a research subject. Contributors of this book repeatedly, reference: Walter Benjamin, Franz Kafka (1883-1924) and Hans Blumenberg (1920-1996). These references might give an idea of the specific approach the book takes on the subject as well as the area it covers.

In sum, the book does present a varied and original approach on the subject of space and that is much needed. The editors deserve recognition for advancing the study of “space” as an inderdisciplinary topic within human sciences. The extent to which the book is uniformly coherent is difficult to articulate, but that may not be the editors’ goal. Certainly, the book does deliver some excellent contributions, such as the Félix Duque and Ellettra Stimilli chapters on “The European Membrane” and “The Threshold between Debt and Guilt”, respectively.

-Diana Soeiro, Universidade Nova de Lisboa

(NOVA Institute of Philosophy (IFILNOVA), Faculdade de Ciências Sociais e Humanas — Universidade Nova de Lisboa (FCSH-UNL), Avenida de Berna, 26, 4º piso, 1069-061 Lisboa, Portugal. Email: diana.soeiro@fcsh.unl.pt or dianasoeiro.drphil@gmail.com ) Edited by D. Gillespie.

Topologies and Landscape Architectures 1: Topology. Landscript 3

Vrin
Vrin, Val Lumnezia, Switzerland

Topology, Landscript 3.  Christophe Girto, Anette Freytag, Albert Kirchengast, Dunja Richter (eds). Institute of Landscape Architecture ETH Zürich. Berlin: Jovis. 2013.

Landscript 3 Topology is the outcome of a workshop and the project ‘Topology – on designing landscape today’ that looked at the integrative role of landscape architecture and sought a theoretical foundation that would strengthen the aesthetic theory and pedagogy of landscape architecture in the context of new, interdisciplinary perspectives on buildings, the environment and cities. Shortcomings in the translation makes for some difficult reading. Topology here refers to changing the extent, scale and dimensions of the tasks that landscape architecture has set for itself. Stepping beyond the garden of traditional landscape architecture, or the vista of landscapes, the profession is now interested in spatial relations more generally. Topology builds on Aristotle’s definitions of topoi and topic as a rhetorical concern with sorting out what the parts of an argument will consists of and preparing them.

There are a few nuggets that leap out of the text:

Design is understood as the taming of complexity, (Kirchengast p.26).

Lucius Burckhardt, a Swiss sociologist and urban planner, and André Corboz, an architectural historian, are introduced for their theory of landscape as a social product (2006) and as a concept projected onto the environment. In Die Kunst, Stadt un Land zum Sprechen zu bringen (Basel 2001) Corboz emphasizes that and territory is an historical palimpsest. Links to the American landscape historian J.B. Jackson are noted. A later post will compare with the work of Augustin Berque.

In Warum ist Landschaft schön? die Spaziergangswissenschaft (Berlin: Schmidt 2006) Burckhardt argues: “Since spatial landscape – as in the case of an English garden – his first produced through the eyes of a viewer, it is not only pictorial also significantly structured by time”. Burckhardt suggested taking “walks as an instrument in order to adequately involve this dimension of time. Strolling denotes a time-based organization of the space from a subjective perspective enables the formation of spatial relationships.”

“He did not consider planning and design to be active processes of creation an organization that resulted in “good form” and “clear systems”… ([But] the recognition and direction of the invisible impetus within systems… Determined scratch that no longer determined by the objects and their technical, practical functions.”

Landscape “flows” with the times and changes constantly. It is not an objective entity that can be defined as synthetic product of interaction relation that needs to be situated within the system of reference.  This provides links to my position that landscape as an intangible virtuality is both real and ideal and distinct from the actually existing fauna and flora.

This position is summarized in Gion Caminada’s development planning of the isolated Swiss village of Vrin, which exploits its remoteness in a manner that provides lessons for planners in other rural communities everywhere.

http://alpinewayoflife.tumblr.com/post/12749388389/vrin-stables-and-butchery-sut-vitg-by-gion

-Rob Shields, University of Alberta

New Books in French

1. Yvon Delemontey. Reconstruire la France L’aventure du béton assemblé 1940-1955, Ed de la Villette, 2015, 398 p. 

This book examines the changes to the industry of construction and architecture that emerged in France during the period directly following the Second World War. In order to rebuild cities after the war, innovative design and building processes were needed, leading to the rapid expansion of prefabrication—made possible by the use of concrete. While prefabrication led to new and exciting technical processes, architects at the time worried about the possible drawbacks of moving towards absolute rationalization of these processes.

2. Pierre Sansot. Paysages de l’existence. Essais, infolio Archigraphy Poche, 173 p.

This collection brings together eight works either previously unpublished or published in journals that are difficult to track down today. Dealing with a material universe constantly in flux, these works capture the distinctive quality of Sansot’s thought.

3. Jean-Pierre Orfeuil et Fabrice Ripoll. Accès et mobilités les nouvelles inégalités, Infolio Archigraphy Poche-Futurs Urbains , 2015, 209 p.

The first of an interdisciplinary book series proposed by LABEX Futurs Urbains, Jean-Pierre and Fabrice Ripoll explore the intersection between social and mobility/access inequalities. Orfeuil addresses the issue by focusing on access to resources and territories, and the social consequences of limited mobility. Ripoll argues for an approach to mobility as a social construction, focusing on the forms of constraint inherent in travel as well as strategies for resistance.

4. Loïc Vadelorge. Retour sur les villes nouvelles: Une histoire urbaine du xxesiècle, Créaphis editions, 2014, 424 p.

This book provides the first historical synthesis of the creation of new cities in France between 1965-1975. Focusing on examples from the Paris region, Vadelorge provides an analysis of the origins and history of the concept of “new cities.” With this book, Vadelorge makes a decisive contribution to the history of urban and land use planning in the last half of the twentieth century.

5. Isabelle Hajek et Philippe Hamman. La gouvernance de la ville durable entre déclin et reinventions: Une comparaison Nord/Sud, PUR, 2014, 283 p.

This book interrogates the concepts of “sustainable city” and “urban governance,” which were first conceived in light of rising concerns of the global environment. With particular attention to European and southern areas of the Mediterranean, the authors examine the paradoxical tension that characterizes the project of “Governing the Sustainable City “: programmed decline, impoverishment and even death, on the one hand, and yet uncertain local reinventions and indigenous alternatives, on the other.

Stephanie Bailey (University of Alberta) 

Active Audience – Huimin Jin

Review: Active Audience: A New materialistic interpretation of a key concept in cultural studies, Huimin Jin. Bielefeld: Transcript Verlag 2012. 179pp.

Why are Chinese scholars interested in active audience theories that hark back to the 1980s and 1990s? In an exchange in Active Audience, David Morley comments to author Huimin Jin, Prime Professor at Chinese Academy of Social Sciences, Beijing:

“As I understand your argument, you are suggesting that we face a move from a ‘producer society’ to a ‘consumer society’, that the concept of the masses’ (as mobilized in the Frankfurt School’s work) is a characteristic of what you call a producer society and that popular culture is then, conversely, associated with the consumer society. From that premise, if I understand you rightly, you see ‘active audience theory’ as being to do with the extent to which, in this thing called the ‘consumer society’, people have more choices… I think that’s a problematic form of historical periodization and one which is characteristic of a certain type of sociological approach”

Imported in the wake of the reception of British Marxist Cultural Studies of the Birmingham School the core notion of the active audience emphasizes the independence of meaning from any authors intention as texts, images and film are received and reinterpreted in different contexts. Stuart Hall was a key figure in developing an “encoding/decoding model”. The idea comes out of the 1960s social psychology of Raymond Bauer who pitted the “obstinate audience” against simplistic sender-receiver models. On one hand, the active audience is an independent collective which does not respond in a mechanical manner to the explicit messages of mass media but always reflects, comments on and attempts to interpret messages. They “actively” decode messages and meanings. On the other hand, the resistance offered by the active audience has proved a poor buttress against imperial and commercial ambitions.

Jin follows David Morley’s model as a critique of the assumptions of the determinism of technologies and media and the passive, duped audiences often presented by Frankfurt School writers in their critiques of Nazi propaganda.  What is most fascinating about the book is its shift away from communication theory to consider the everyday context which shapes the reception of information.  In doing so, while carefully following Morley’s lead, the book is genuinely new in its use of Husserl’s phenomenology of the “lifeword” and a Heideggerian approach to being-in-the-world which emphasizes the ways people reflect on their world and make it meaningful for themselves.  Jin draws on his broad experience in German intellectual history to move from the discursive, which is generally involves abstract representations, to root the discussion in the real.  For me, this everyday reality, spans both the actual here-and-now “concrete” fabric of life and also its “virtual”, intangible elements such as trust, community and society that frame our understanding of communication.  This turn to everyday world and away from the pure context of texts or, for example, a television broadcast, reflects Prof. Jin’s status as the preeminent interpreter of Confucius in China today.

 

Continue reading Active Audience – Huimin Jin

Humanity and Animal Politics – Review

What animals teach us about politics, by Brian Massumi (2014). Durham and London: Duke University Press. ISBN 978-0-8223-5772-8 (cloth), 978-0-8223-5800-8 (paper). 137 pp.

Two wild dogs, cast in bronze, stand poised against each other, seemingly engaged in combat. Upon closer examination, however, this sculpture by South African artist, Nola Steele, portrays two animals not fighting, but rather playing. The scene perfectly captures the ‘ludic gesture’ (4-5), central to Brian Massumi’s rich and dense text. For Massumi, playing is ‘combat-esque’, which distinguishes it qualitatively from combat. The suffix ‘-esque‘ indicates that it is as if in combat, ‘but with a little something different’ (9). Combat and play are the same, with subtle but important differences: they are both part of a continuum in the same way humans and animals are both part of a ‘continuum of nature’ (17). The reciprocal participation in play on the part of a human as well as an animal creates ‘zones of indiscernibility’ (6) and ‘mutual inclusion’ (4) between human and animal. This is a conceptualisation that paves the way for exploring ‘what animals teach us about politics’.

Continue reading Humanity and Animal Politics – Review

What do they have in Hitchcock’s America? Review

Review: Murray Pomerance,  Alfred Hitchcock’s America, Cambridge: Polity Press 2013

What do they have in Hitchcock’s America? They have the promise of open spaces, they have atomized lives framed by film-screen windows, they have innocents abroad and ambitious step jumpers at home, they have agrarian prophets and urban sophisticates sharing the small town paradise, they have ingenuity, humility, plucky courage and hidden faces, they have department stores and giants, they have Mount Rushmore and Bates Motel. All of these ingredients, and many more, are masterfully woven into this feast of a book.

During their discussion on the plotting of Secret Agent (1936), Hitchcock famously told François Truffaut: Continue reading What do they have in Hitchcock’s America? Review

The Economics (and Nostalgia) of Dead Malls – New York Times

Continuing our research on how to revitalise shopping malls as walkable, sustainable community hubs in Strip-Appeal, the New York Times has published a discussion of the decline of middle-range malls in suburban areas of US cities, a decline that correlates to the demise of the American middle classes, as one commenter points out.

New York Times,

 Slide Show

Across America, the Dead Malls Are Growing

Continue reading the main story

-Rob Shields, University of Alberta