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Rob Shields · Posted on October 14, 2022November 10, 2022
Exhibition: ‘Space and Culture 25/25’
Jeongwon Gim · Posted on January 30, 2023January 30, 2023
Mask Installation: ‘Eruptive Ephemera’
Jeongwon Gim · Posted on January 23, 2023January 23, 2023
Notes on the ‘Seeing-drawing’
Jeongwon Gim · Posted on January 9, 2023January 9, 2023
Algonqian Jurisdiction
Rob Shields · Posted on December 31, 2022
Bloodlands: Social Spatialisation of State Murder
Rob Shields · Posted on December 13, 2022
Diasporic memory and the internationalization of Ukraine
Rob Shields · Posted on November 20, 2022November 20, 2022
ATHENS SWINGING FROM THE CHANDELIER
Contributions · Posted on November 14, 2022November 20, 2022
Up Again In Treme
Rob Shields · Posted on October 24, 2022October 24, 2022
Mapping Indigenous Land
Rob Shields · Posted on October 10, 2022September 12, 2022
Summer Travels Through the Library of Virtualities
Rob Shields · Posted on October 5, 2022
Short Review on Frieze Seoul 2022 
Jeongwon Gim · Posted on September 12, 2022September 13, 2022
Mapping Public Art in Edmonton, Alberta, Canada
Book Reviews · Posted on September 5, 2022September 4, 2022
Uncanny Emptiness of the Over-Designed City: Notes on the Architectural Designs in Sejong city, South Korea
Jeongwon Gim · Posted on September 2, 2022August 31, 2022
Review: Designing Disorder by Pablo Sendra and Richard Sennett
Book Reviews · Posted on August 29, 2022August 26, 2022

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