Alexis Nuselovici, Mauro Ponzi and Fabio Vighi (Eds), Between Urban Topographies and Political Spaces, Lanham, MD/ UK: Lexington Books, 2014. ISBN: 978-0739188354. Price: $80.00/ £50.30/ €73.59
This book’s aim is to contribute new spatial concepts in order to better conceptualize place (p.ix), the contemporary understanding of which has witnessed an “epistemological break” (p. vii). The editors maintain that it is crucial to search for new spatial categories in order “to describe phenomena specific to our contemporary world” (p.vii). Therefore, the research questions that inform this publication could be understood as follows: What roles do boundaries play in the context of globalization, and how do these roles transform our idea of space?
In the Introduction, it is stated that the main idea holding all its fourteen chapters together is that of ‘threshold’, a notion which can be further celebrated when approached in its multiplicity when referred to in different European languages (‘threshold’ (ENG), ‘seuil’ (FR), ‘soglia’ (IT), ‘Schwelle’ (DE)). The celebration of multiplicity in order to approach the notion of threshold, abolishing the frontiers between languages — perceiving variety as enriching, allows a better understanding of the notion — follows the scientific goal of the book: to distinguish threshold from border and frontier (p.viii) and, going even further, to replace boundaries with thresholds (p.ix). This approach to the notion of threshold, is actually extended to the approach to the topic itself (contemporary issues of spatiality). The book is multidisciplinary, cutting across disciplines, something that the editors feel that it is urgent to do, in order to overcome “the current institutional rigidity” that “does not reflect the transformations that are taking place within the human sciences”. (p.ix)
In order to both conceptualize and contextualize the book, the editors reference Michel Foucault (1926-1984), hoping the book contributes to the “spatial turn” that the philosopher predicted (ie. that at some point the spatial paradigm had to be put in relation with history (“Des Espace Autres”, 1967)), and Walter Benjamin (1892-1940), the theorist who inspired both the books’ focus on urban spaces and its structure: Thresholds (city), Spaces in-between (metropolis) and Heterotopias (post-metropolis). (p.ix)
The chapters’ sequencing is challenging due to the multidisciplinary character of the book. The first part is more traditional, approaching threshold in a more conservative way, where it is still possible to recognize the boundaries of topics. In the second part, the focus is predominantly urban, assuming a Benjaminian approach which blurs the topic’s boundaries. The third part intertwines different topics and references, making it almost impossible to distinguish any boundaries whatsoever, approaching the expression of threshold found in religion and myth.
German philosopher Bernhard Waldenfelds begins the book with “Threshold Experiences”. His work is a crucial reference for anyone interested in the subject of space in general, and in the question of borders, limits and thresholds in particular. Having developed his work consistently since the 1980s, and referencing Husserl, Schütz and other phenomenologists, he has published several key books on the subject. Waldenfeld’s extensive contribution to the subject of borders is in itself reason to read this book.
As the reader progresses, the book feels uneven. We are cautioned, in the Introduction about the approach being multidisciplinary (and in fact, there are chapters that focus on film, literature, urban studies, psychoanalysis, politics, economics and music) but the unevenness arises from a lack of clarity. There are chapters that present ideas very clearly while others are blurry and never seem to deliver their intent. Rather these “blurred” chapters occur as excessive attempts to address specific ideas.
Perhaps the book’s unevenness, and the blurriness of some contributor’s chapters, is intentional, influenced by a somewhat Deleuzian logic, where the book, or a chapter, is conceived as a web, similar to an open-system, instead of being a sequential, narrative, closed body of work. The lack of boundaries among chapters, and in some cases, within chapters, was taken too far. Boundaries were sacrificed in the name of delivering a sense of fluidity between all authors, and all disciplines, where each chapter communicates with all other chapters. This fluidity may then have resulted in a kind of frailty. Perhaps such frailty is inevitable. The notion of space is a recent research field following centuries in which “time” took centre stage. New fields of research do not emerge without their perils.. Perhaps space, though a classic concept, truly is a contemporary challenge that tests the boundaries of institutionally established disciplines in human sciences.
Though the subject of space is currently wide-ranging it is expected that in the next few years that “space” will continue to grow as a research subject. Contributors of this book repeatedly, reference: Walter Benjamin, Franz Kafka (1883-1924) and Hans Blumenberg (1920-1996). These references might give an idea of the specific approach the book takes on the subject as well as the area it covers.
In sum, the book does present a varied and original approach on the subject of space and that is much needed. The editors deserve recognition for advancing the study of “space” as an inderdisciplinary topic within human sciences. The extent to which the book is uniformly coherent is difficult to articulate, but that may not be the editors’ goal. Certainly, the book does deliver some excellent contributions, such as the Félix Duque and Ellettra Stimilli chapters on “The European Membrane” and “The Threshold between Debt and Guilt”, respectively.
-Diana Soeiro, Universidade Nova de Lisboa
(NOVA Institute of Philosophy (IFILNOVA), Faculdade de Ciências Sociais e Humanas — Universidade Nova de Lisboa (FCSH-UNL), Avenida de Berna, 26, 4º piso, 1069-061 Lisboa, Portugal. Email: firstname.lastname@example.org or email@example.com ) Edited by D. Gillespie.