Once the center of the global automotive industry, Detroit has become the archetype of the modern ruin, attracting artists and writers interested in exploring the poetics of ruins and the dystopian sublime. The ruins of Detroit are, in one sense, a critique of modernity – an allegory for the myth of unending accumulation, prosperity and progress (Benjamin, 2000). But the post-industrial city is also a place of possibility. Tim Edensor (2005) argues that ruins constitute subversive counter-spaces that “contain the promise of the unexpected” (p. 4). In post-2008 Detroit this promise bloomed in abandoned lots throughout the city as residents began producing their own food outside the circuits of the local state.
But how unexpected was this sudden turn to urban food growing? As Laura Lawson (2005) reminds us, urban food production and economic crisis have long gone hand in hand, and this history has deep roots in Detroit. During the depression of 1893, Mayor Hazen Pingree famously implemented the potato patch plan. Faced with economic upheaval and mass unemployment, Pingree encouraged the residents of Detroit to farm vacant lots to feed the city, setting an example that was copied and adapted across the US and Canada.